Drinking from the sources of North American rationalist architecture, from Camarón de la Isla, the Lumière brothers, Bruce Nauman, Alvar Aalto or Jean Prouvé, new technologies, the Berlin scene, Caravaggio, The Young Ones, the Velvet, rumba and punk, Leonardo da Vinci, or shantytowns in general (among many others) places them. Performance, time codes, installation, stage artifacts, new and old lighting systems, spatial dramaturgy, radical simplicity, the lack or excess of narrative, the law of gravity, white darkness, perception mechanisms, rotaflex and linguistics are some of their creation tools. Trained in visual arts, theatre, and architecture, their work is characterized by the constant search in the fields of light, space, and the objects that occupy it through the transgressive attitude that entails placing oneself on the limits of paratheatricality. They have worked, among others, with General Elèctrica, Frederic Amat, Societat Doctor Alonso, Àlex Rigola, Marcel·lí Antúnez, Constanza Brncic, Augustí Fernández, Albert Pla, Standstill, La Fura dels Baus, Agrupació Senyor Serrano, Mal Pelo, Sílvia Pérez Cruz, Los Corderos, Cabo San Roque, Sol Picó, Maria Arnal y Marcel Bagès or Rosalía.

María de la Cámara. Co-Founder
Trained in set design and lighting at ESAD Barcelona. Space design at EINA Barcelona. University degree professor at UDG ERAM. Postgraduate master’s teacher at ELISAVA and UPC.

Gabriel Paré Lezcano. Co-Founder
Trained in set design and lighting at ESAD Barcelona. University degree professor at UDG ERAM. Postgraduate master’s teacher at ELISAVA and UPC.