BEETHOVEN’S PASTORAL SYMPHONY

GAUTIER CAPUÇON AND LUDOVIC MORLOT


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Repertoire

José Río-Pareja: Sinfonia efímera (2024) – World premiere. Commissioned work 25′
Robert Schumann: Cello Concerto in A minor, Op. 129 (1850) 25′
Ludwig van Beethoven: Symphony No. 6 in F major “Pastoral”, Op. 68 (1808) 39′

ARTISTS

Ludovic Morlot, conductor
Gautier Capuçon, cello
Barcelona Symphony Orchestra (OBC)

Programme

To witness the world premiere of a work is an extraordinary experience. Composer José Río-Pareja (Barcelona, 1973) has been singled out for his “sensitivity and exquisite language of structural forms that are almost impossible to materialise”, and from the very beginning, his Sinfonía efímera promises a journey through original soundscapes.

Much better known is Robert Schumann’s Cello Concerto, a particularly lyrical piece, with an expressive solo part whose uncompromising personality dominates throughout the three movements.

The name “Pastoral” reflects the programmatic character of Beethoven’s Sixth Symphony, which explores different aspects of nature, from its most bucolic and amorous side, celebrated with country dances, to the threat of the storm. The final movement – one of the most moving ever composed – is in a more conciliatory mood, expressing gratitude for the possibility of life.

BEETHOVEN’S PASTORAL SYMPHONY

GAUTIER CAPUÇON AND LUDOVIC MORLOT


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