STRAUSS: TILL EULENSPIEGEL SYMPHONIC POEM

Lucas Debargue and Ludovic Morlot


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Repertoire

Leonardo Balada: Passacaglia (2000) 10′
Ludwig van Beethoven: Piano Concerto No. 3
György Ligeti: Double Concerto for Flute and Oboe (1972) 15′
Richard Strauss: Till Eulenspiegel, Symphonic Poem, Op. 28 (1894-1895) 15′

ARTISTS

Barcelona Symphony Orchestra (OBC
Rafael Muñoz, oboe
Lucas Debargue, piano
Francisco López, flute
Ludovic Morlot, dirección

Programme

Known for his operas and symphonic poems, Strauss gives a detailed explanation in music of each scene and character but, when asked about the story behind Till Eulenspiegel’s Merry Pranks, the composer replied: “Were I to put into words the thoughts which its several incidents suggest to me, they would not suffice for the listener and might even give offence.”

Along with this work, the programme includes pieces in highly contrasting styles. In one direction, Passacaglia by Catalan Leonardo Balada, in which he brings his surrealistic language to this Baroque musical form. In the other, we have two concertante pieces: Ludwig van Beethoven’s brilliant Third Piano Concerto, premiered by its composer, much larger and more ambitious than its two predecessors, and György Ligeti’s unusual Double Concerto for Oboe and Flute, which takes us into the sound universe of a Hungarian composer who was a tireless researcher into the orchestra’s timbral texture.

Visit the sound installation Poème symphonique for 100 metronomes, by György Ligeti, in the Foyer de Sala.

STRAUSS: TILL EULENSPIEGEL SYMPHONIC POEM

Lucas Debargue and Ludovic Morlot


Totes les sessions finalitzades
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